Etruscan Votives (an audio interview with Professor Jean MacIntosh Turfa)

Welcome to our first TVP audio interview! Alongside our usual blog posts, we’ll now also run an ‘audio stream’ for sharing informal interviews with friends and colleagues who work on votive offerings (as well as other ‘votive sounds’, from rattly terracottas to religious processions). Please get in touch if you’d like to contribute, or if…

New book on ancient anatomical votives!

Bodies of Evidence: Ancient Anatomical Votives Past, Present and Future is a new edited volume just published by Routledge as part of a new series on ‘Medicine and the Body in Antiquity’. The volume, edited by Jane Draycott (University of Glasgow) and Emma-Jayne Graham (The Open University / The Votives Project), is based on a…

Votives on display (Part 2)

In ‘Votives on display (Part 1)’ I wrote quite generally about how votives might have been displayed in ancient sacred spaces. In this second part I want to try out some ideas about how particular types of ancient Italian anatomical votives might have been displayed and suggest that thinking about this might offer some new…

Votives on display (Part 1)

Last weekend I was at the 2015 Classical Association Conference in Bristol and, after my paper on the sensory experience of dedicating infant votives, I was asked a question about where these votive objects were placed and how were they ‘displayed’. If they were placed on an altar or something similar, I was asked, could…

Etruscan Votives and Health?

Professor Jean MacIntosh Turfa is a Consulting Scholar in the Mediterranean Section of the University of Pennsylvania Museum of Archaeology and Anthropology, where she helped reinstall the Kyle M. Phillips Etruscan Gallery. She has participated in excavations at Etruscan Poggio Civitate (Murlo), ancient Corinth, Dragonby (Lincolnshire), and native and colonial sites in the USA. She…

Shadowy figures

‘Ombra della sera’, or ‘evening shadow’, is the name usually used to describe a distinctive bronze votive recovered from the region of Volterra (Etruscan Velathri, Roman Volaterrae) first exhibited in the early 18th century. The thin, elongated figure, made during the 3rd century BC, is most well-known for inspiring the work of the Swiss artist…