Figure 4. Votive objects (to scale) dated to the Early Dynastic period (2900-2350BCE). Left to right: Votive calcite bowl from Nippur, 2600-2350 BCE (MMA 59.41.11, Metropolitan Museum of Art, CC0 1.0 Universal); Stone votive statue from Tell al’ Ubaid of an individual named Kurlil, 2600-2500 BCE (BM 114207, courtesy of the British Museum); Votive clay figurine of a sheep from Ur, 2600-2350 BCE (B17201, Courtesy of the Penn Museum)

Memories for Life: Materiality and memory of ancient Near Eastern inscribed private objects

The Memories for Life project, funded by the Swedish Research Council, was initiated in 2017 to study the hundreds of objects dedicated by non-royal individuals to the divine in the ancient Near East. These objects, inscribed in the cuneiform script in the Akkadian and Sumerian languages, inform us about worship practices and dedicatory traditions spanning…

Photographic Votive Offerings in the Alentejo region of Portugal

Milene Trindade is a PhD candidate in History of Art at the University of Évora, Portugal. She is currently writing her thesis on Devotion, Art and Technique: Photographic Ex-votos in the Alentejo Region in the 19th and 20th centuries. (Affiliations: HERCULES Laboratory – Cultural Heritage, Studies and Safeguard, and CHAIA – Centre for Art History and Artistic…

Things that matter(-ed): A biography of anatomical votive reliefs

  Anne-Lieke Brem, is currently a Masters student at the University of Groningen, studying both Archaeology and Cultural Geography. Her recent research focuses on the social landscape of illness and disease in ancient Greece (500-200 BC). In this article for The Votives Project she reflects on how this project has prompted her to think more critically about the biography and…

Objects and Remembering

Last Friday (20th June) I attended a conference on ‘Objects and Remembering’ at the University of Manchester. The event brought together people working on the relationship between objects and memory from a number of different perspectives – archaeology, history, museum and heritage studies, forensics and geology. It was a highly stimulating day, full of lively…

Waxing lyrical on the materiality of votives

A few weeks ago I was alerted to a post on the MEDMED-L mailing list (medieval medical history) in which Jim Chevallier made the following observation: ‘In 1389, a merchant accompanying Charles VI to Avignon had a wax statue made in the ailing King’s image, as an ex-voto, to put on the tomb of Pierre…