Professor Andrew N. Williams is currently studying for an MA in The Classical Mediterranean (University of Leicester), but is also an established medical practitioner and medical historian. In this post he reflects on the absence of particular types of anatomical votive and how new discoveries from San Casciano dei Bagni (Italy) might shed new light…
Jedediah Caesar is an artist and curator based in Los Angeles and Berlin. In this post, he introduces a new artist project on votive deposits and the photographic record, which focuses on the moment of ‘uncovering’….
Readers of The Votives Project might be interested to learn about the publication of a new book by one of the website’s co-founders. Reassembling Religion in Roman Italy (Routledge, 2021) by Emma-Jayne Graham focuses on ancient material religion, and among other things chapters feature discussions of sanctuaries and anatomical votives in ancient Italy, as well…
Valeria Motta has a PhD in the History of Art from the École des Hautes Études en Sciences Sociales (EHESS) in Paris. She is an Associate Member of the Centre d’Histoireet de Théorie des Arts (CEHTA-EHESS). I wish to thank Gill Dilmitis for the revision of my English text Despite the fact that the reproduction…
Welcome to our first TVP audio interview! Alongside our usual blog posts, we’ll now also run an ‘audio stream’ for sharing informal interviews with friends and colleagues who work on votive offerings (as well as other ‘votive sounds’, from rattly terracottas to religious processions). Please get in touch if you’d like to contribute, or if…
Kristel Henquet is a research masters student in archaeology and ancient history at Free University Amsterdam/University of Amsterdam & Leiden University. She specialises in votive practices and religious landscapes in Southern Italy and in this post she shares some of the research she has recently conducted at the Royal Dutch Institute in Rome. When I…
Margherita Clavarino is a PhD candidate in the History of Art at the Warburg Institute, where she is researching miraculous prints in early modern Italy. She has an interest in both printed ex-votos and votive offerings related to miraculous printed imagery. The Church of Saint Bartholomew of the Groom, in the namesake seaside town of…
This week saw the opening of a new exhibition at the Casa del Manzoni in Milan, home of the Fondazione Per Grazie Ricevute. The exhibition is entitled “Buena Suerte – Milagros de México” «Folklore e tradizione negli ex~voto messicani contemporanei», and it presents a colourful series of around 300 votive retablos from Mexico, most of which are…
Laura Aho is a doctoral student at the University of Helsinki (Finland), where she is working on a dissertation on Greek and Roman votive inscriptions. In this post she shares some aspects of her research to-date, as well as discussing some of the challenges that she has been facing. The problem with deducing motives for…
Father Gianpaolo Pagano is a Dominican priest based at the sanctuary of the Madonna dell’Arco in Sant’Anastasia near Naples. The tradition of dedicating ex votos at this site dates back to at least the fifteenth century, and it continues today. The shrine walls are covered in painted votive tavolette, and there is a museum of…
Helen King is Professor Emerita in Classical Studies at the Open University. She has a particular interest in midwifery and gynaecology and has published widely on ancient medicine and its reception, as well as gender and the history of the body. Is it time to revisit the identification of votive body parts? Specifically, votive wombs;…
Alyssa Velazquez is currently a Masters student at Bard Graduate Center: Decorative Arts, Design History, and Material Culture. Her publications include “Tupperware: An Open Container During A Decade of Containment” in Women’s History Magazine and Men and Manolos: Love and Relationships in the Heels of a Hopeless Romantic. In this article for The Votives Project,…
At the risk of over-sharing, I’ve had a few health issues over the last year (I’m fine!) that have made me think in new ways about how we understand what ancient anatomical votives might tell us about how people understood their bodies and their relationship with divine healers. In the ancient world it seems to…
This week I interviewed Monsignor Pietro Caggiano of the Pontifical Sanctuary of the Blessed Virgin of the Rosary in Pompeii – home to a significant collection of ex votos which has accumulated since the Sanctuary’s foundation at the end of the nineteenth century. Monsignor Caggiano has written about the theology of ex votos, and he is currently curating an exhibition of ancient…
Earlier this week I visited the Catholic sanctuary of the Madonna dell’Arco in Campania on the day of its annual festival, which takes place every Easter Monday (or ‘Lunedi in Albis’). The festival centres around the battenti or fujenti – guilds of devoted pilgrims who walk or run to the church from towns and villages across…
How can we understand the relationship between religious devotion and cultural patrimony? How does the performance and documenting of sacred rituals intersect with the construction of collective memory? These questions are explored in a new volume entitled Linguaggi della devozione. Forme espressive del patrimonio sacro [‘Languages of Devotion: Expressive Forms of Sacred Patrimony’ ] edited…
Ceri Houlbrook is currently a post-doctoral researcher at the University of Manchester Love-locks are exactly what the title suggests: padlocks purchased and employed worldwide as statements of romantic commitment. Typically a couple (often tourists), having inscribed their names/initials on a padlock, will attach it to the railings of a bridge or other structure, and will…
In ‘Votives on display (Part 1)’ I wrote quite generally about how votives might have been displayed in ancient sacred spaces. In this second part I want to try out some ideas about how particular types of ancient Italian anatomical votives might have been displayed and suggest that thinking about this might offer some new…
Last weekend I was at the 2015 Classical Association Conference in Bristol and, after my paper on the sensory experience of dedicating infant votives, I was asked a question about where these votive objects were placed and how were they ‘displayed’. If they were placed on an altar or something similar, I was asked, could…
A few weeks ago I wrote a post inspired by an article published in 1918, in which the classicist Eugene S. McCartney described some of the votive objects and dedicatory activities that he had encountered at holy sites during the First World War. The sites he visited included the cathedral of St. Andre, Bordeaux (France)…
Yesterday (11 March 2015) saw the opening of a new exhibition of ex-votos curated by the Fondazione Per Grazie Ricevute at the Palazzo Giureconsulti in Milan, entitled Give us today our daily bread: The Earth, the Harvest and Food from Antiquity to the Present. The exhibition centres on the age-old themes of food, the earth and…
Last year, on the anniversary of the beginning of the First World War, Jess Hughes wrote about votive paintings dedicated by Italian soldiers and their families. Recently, when searching for something entirely different, I stumbled across an article published in 1918 by Eugene S. McCartney. It presents an account of his personal encounters, in 1916…
The Votives Project 